Exploring the world of fiber, one draft at a time

My posting can be as frequent or infrequent as my spinning, so be as patient as that fiber, sitting in my stash.

Sunday, August 16, 2009

Items for 2009 state fair

Only five items going to the state fair this year. One is my beaded mystery stole, which I have posted about before and so I will not include in this post. The second I've posted a progress photo already, the targhee/bamboo skein of yarn. I've been playing around with arty shots of yarn, so here's one of those with that skein. The photo has not been though any photo shop editing, which I would do before using it, if I plan to sell this yarn. Right now I haven't decided.

The next item needs more explanation. I submitted for the designer yarn category a skein of cashgora goat and silk 2 ply skein. The idea is to try and copy the Orenberg style yarn.

Here's a photo of that skein of yarn.

There's a number of reasons this skein does not come close to true Orenberg yarn. First, cashgora is never going to be a good replacement for the goat down used in the true yarn. Cashgora, at least what I have, is very scratchy. The Orenberg yarn I have has a bit of scratch, but not enough to be uncomfortable. I really doubt I would wear a shawl of my yarn. Second, I did not get my spinning quite thin enough on either single to make the 2 ply the WPI of the original yarn. I'm off by about 4-5 WPI. It felt like I was spinning thin enough, but the final skein after washed was not as thin as the original.

When I was plying this yarn, I did two different skeins. One I plyed with my Ashford, with the lace flyer and aimed for a very loose ply. After it was washed I had quite a few areas in the yarn where the cashgora popped out, like little tiny locks. It was a neat yarn, but not what I had in mind. So the second skein (which is shown above) I plyed on my Roberta, and went for what would be considered tradition balanced ply. I liked that yarn much better and it actually matched the look of the original yarn.

The other thing I about this skein is that I handled it differently than I have most yarns after washing. I washed the skein, hot soapy water, rinsed good, dried in a towel and hung the skein in front of a fan until it was just barely damp. Then I put the skein on the skein winder and wound it off on to my PCV pipe niddy noddy. I was putting tightness into the skein, stretching it while it completely dried, by doing this. Every now and then while it was drying I pulled on the skein so I pulled the area that was wrapped around either end was moved off the curve. I hope that makes sense, I was trying to prevent the yarn developing a permenent curve in it. The only other time I have used this method with a skein of yarn is when I do 100% angora.

The result of doing this with the skein gave a very smooth crisp yarn, with very little halo. That matched the original yarn, at least in appearance.

One of the requirements for this designer category is to knit a swatch, at least 6 inches square. I have always been very uninspired for these swatches in my past entries, so I decided to get very creative this time. Since I was trying to make an Orenberg style yarn, I went to those books I have and discovered that the Gossimer Webs Designs book had a small sampler practice shawl that would be within that size range. It took me two days of knitting and I had a wonderful time discovering the construction concepts of these shawls. The resulting swatch looked like this:

I had to come up with another creative solution to block it. Regular size shawls are blocked with wires and pins, but this little swatch seemed overwhelmed by blocking wires. First I tried pinning it to a towel, like I do other swatches and found I couldn't pull the swatch hard enough, the towel would just scrunch up underneath taking my swatch with it. So I finally hit on the idea of placing a square of cardboard on top of the something soft that pins wouldn't hurt. You could use the bed, but to make mine portable so I could prop it in front of a fan, I use a new package paper towels. The pins just pushed right through the cardboard, into the package and I soon had my swatch pinned out nice. Here's a close up:

It looks so lovely and actually developed quite a halo as I was knitting. I enjoyed knitting with the yarn a lot, it actually had that crisp feeling like linen. But what that means is that the final product is sadly very scratchy. It won't soften either like linen. So while it has been a very fun project, I will not be spinning any more of this yarn. I seriously doubt the spinning judge at the fair will like the yarn either, but probably for different reasons.
The last category I submitted an entry for was to knit something in natural color handspun yarn. You even had to submit a lock of the fiber as well as some of the yarn. I used some Black Welsh Mountain handspun and the pattern Bella's Mittens (look for the pattern in Ravelry it is a free pattern). The mittens are made to go up to the elbow.

I could not get the best photos of these. The yarn is very black but looks lighter in the sunlight. Also it's a bit tricky to take a photo of one hand inside a mitten and the other hand holding the camera to take the photo. But in spite of the mittens looking like cooking mitts, you can get the idea of what the pattern is like. They fit me perfectly because I could try them on as I worked and I got the decreases to hit where they needed to be. And they will be exceptional warm this winter.

After working for many weeks with this deadline looming, I feel lost as to what to work on now!


Jody said...

Good luck with your lovely items. Entering contests keeps us challenged as Fibre Artists I think.

cyndy said...

Beautiful items! Deserving of blue ribbons!

You know that old saying about the warmth that mittens worked in the summer heat hold??--yours are sure to be cozy!

Cindy said...

I've never heard that! What a neat saying.